Matching Steps 062

Carl Knif Company: Matching Steps

  • 2 performances

    28.4-29.4.2026

  • Duration

    51 min (no intermission)

  • Venue

    Erkko Hall

  • Tickets

    49-24 €

Catering
Show times

Tue 28.4. at 19.00


Wed 29.4. at 19.00

Recommended age

10+

In addition

Artist talk after both performances

Introduction

How do you de­fi­ne a step? Is it by its length, its spa­tial breadth? Or is it by ti­me, the ti­me a step ta­kes? How do you de­fi­ne the di­rec­tion of the step? Is it by the re­la­tions­hip bet­ween spa­ce and the one who mo­ves? Or can a step be di­rec­ted in thought to­wards an as yet un­de­fi­ned fi­nal des­ti­na­tion?

If the will is the star­ting point, what is the di­rec­tion? Do I ta­ke the steps I real­ly want to ta­ke, or does my rou­te turn out to be comp­le­te­ly dif­fe­rent from the one I first ima­gi­ned? Who inf­luen­ces my rou­te, the speed at which I walk? Am I going fas­ter or slo­wer than I think? Am I wal­king at a dif­fe­rent pa­ce to my bo­dy or my mind? Whe­re would I go if I we­re true to my in­tui­tion?

When I see ot­hers wal­king, I hear mu­sic. It is a sharp and clear rhythm. But when I look clo­se­ly, the dea­fe­ning steps are un­cer­tain, the rhythm uns­tea­dy and the di­rec­tions unk­nown.

In Matc­hing Steps, Carl Knif con­ti­nues to exp­lo­re the con­nec­tions bet­ween clas­si­cal mu­sic and con­tem­po­ra­ry dan­ce. The per­for­man­ce is re­la­ted to his pre­vious works Fu­gue in Two Co­lors (2020) and Ses­sions (2022), in which the is­sues of con­tem­po­ra­ry hu­man li­fe we­re fra­med by clas­si­cal com­po­si­tions.

Matc­hing Steps is ba­sed on Clap­ping Mu­sic (1972) by Ste­ve Reich, com­bi­ned with new­ly writ­ten mu­sic by Jan­ne Hast. The ope­ning per­for­man­ce of Clap­ping Mu­sic is fol­lo­wed by se­ve­ral sec­tions of clap­ping ins­pi­red by Clap­ping Mu­sic.

Matc­hing Steps ta­kes the step and the walk as its cho­reog­rap­hic star­ting point, exp­lo­ring wal­king as an exis­ten­tial act, as the ori­gin of thought – and de­fi­ning the bo­dy as the sour­ce of mu­sic and mo­ve­ment, as an inst­ru­ment of thought.

Organizer: Carl Knif Company

Trailer

Credit

Cho­reog­rap­hy, con­cept: Carl Knif
Dan­cers:
Jon­na Aal­to­nen, Ol­li Lau­tio­la, Ri­ku Leh­to­pol­ku, Saa­ra Töy­ry­lä, Ter­hi Vai­ma­la, Ee­ro Ves­te­ri­nen
Sce­nog­rap­hy, light de­sign:
Juk­ka Hui­ti­la
Sound de­sign:
Jan­ne Hast
Mu­sic:
Ste­ve Reich (Clap­ping Mu­sic)
Cos­tu­me de­sign:
Er­vin La­ti­mer
Fab­ric de­sign:
Yoon Kim
Seamst­ress:
Ni­na Uk­ko­nen
Pro­du­cer:
Mar­jo Pyy­kö­nen
Com­mu­ni­ca­tions:
Es­si Brun­berg
Pro­duc­tion:
Carl Knif Com­pa­ny
Pho­tos:
Ca­ta Por­tin
Sup­por­ted by:
Arts Pro­mo­tion Cent­re Fin­land, Ci­ty of Hel­sin­ki, Konst­sam­fun­det, Swe­dish Cul­tu­ral Foun­da­tion in Fin­land, Wil­liam Thu­rings stif­tel­se

CARL KNIF

Carl Knif is a dancer, choreographer and artistic director and founder of Carl Knif Company. Knif has created numerous choreographies for Carl Knif Company and carried out co-productions and commissioned works for theatres and dance houses alike. Knif was awarded the State Prize for Performing Arts in 2016, and in 2022 he received a prize from the Society of Swedish Literature in Finland for the dramaturgy of Ett drömspel. In 2025, Knif received Kulturpriset (‘the Culture Award’) by Svenska folkskolans vänner.

Ticket information

Standard Ticket | 49 €
Pensioners | 42 €
Discount Ticket
| 27 € Under 25, students, unemployed, civil servants and conscripts. Please be prepared to present a certificate entitling you to a discount.
Group Ticket | 42 € Min. 10 persons

Note: To ensure good visibility to everyone, The Erkko Hall auditorium is steep. Please note that there is no lift to the upper section. Only the first row seats are fully accessible.

For ticket inquiries, please contact: info@tanssintalo.fi

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