A I M Abraham Cassette 1

A.I.M By Kyle Abraham: Cassette vol. 1

  • Date

    29.10-31.10.2025

  • Duration

    1 H (no intermission)

  • Venue

    Erkko Hall

Show times

Wed 29.10. at 19:30
Thu 30.10. at 19:30
Fri 31.10. at 19:30

In addition

Artist discussion with choreographer Kyle Abraham after the performance on Thu 30.10.

A.I.M By Kyle Abraham

Artistic Director: Kyle Abraham* (he/him)
Executive Director:
Emily Waters (she/her)
Producing Director:
Vernon Scott (he/him)
General Manager:
Anne Dechêne (she/her)
Rehearsal Director:
Jessica Tong (she/her)
Production Stage Manager:
Meredith Belis (she/her)
Lighting Supervisor:
Dan Stearns (he/him)

Programme

Choreography: Kyle Abraham** in collaboration with A.I.M
Scenic, Lighting and Video Design: Dan Scully
Costume Design: Karen Young and Kyle Abraham
Sound Editor: Sam Crawford and Kyle Abraham**
Video Editor: Simon Harding
Artistic Advisor: Risa Steinberg
Performers: Jamaal Bowman, Mykiah Goree, Alysia Johnson*, Faith Joy Mondesire, Destin Morisset, William Okajima*, Niya Smith, Keturah Stephen, Gianna Theodore, Olivia Wang, Jayden Williams (swing)

*Princess Grace Award Recipient / **Princess Grace Statue Award

Cassette Vol.1 is co-commissioned by the International Summer Festival Kampnagel (Hamburg, Germany), Festspielhaus St. Pölten (AT), Tangente St. Pölten-Festival für Gegenwartskultur and PEAK Performances, Montclair State University.

Lead Sponsorship support for Cassette Vol.1 provided by the Ed Bradley Family Foundation. Sustaining support for Cassette Vol.1 provided by Torrence Boone.

Choreographer's Note

"Is nostalgia just the mental sweater that coats the memories that dance through our brains?

Over the years, I’ve made works that reference the intersection of classical music and the birth of hip hop in my life, but the voices of 80’s, 90’s pop, and New Wave were braided all through my interests and experiences.

I wanted to make a work that honored a different side of my influences….one that emphasizes a very particular part of what it was like dancing on the back of the yellow and black school buses of my elementary and middle school years to music that’s equal parts M/A/R/R/S, Suzanne Vega, Salt-N-Pepa, The B-52’s, LL Cool J, and Prince.

With the birth of music video culture in the early 1980s, an awakening of fantasy, street culture, and a popular hybridization of form seemed like the way of the future.

That hybridization speaks to the intentional fusing of movement vocabularies including ballet technique and heavy influence of released-based articulation for this new work, entitled Cassette Vol. 1.

Though not solely limited to released-based work, the influences of Trisha Brown, Bill T. Jones, Kevin Wynn are among several highlighted throughout the entirety of this endeavor.

Those movement vocabularies utilized are meant to honor the lineage of movement influences that might not be as obvious to some, while highlighting the non-monolithic Black experience and intake within American culture.

Cassette Vol.1 is equal parts camp and critique. At its core, it aims to make space for the ridiculous and the referential.

There is space to laugh at the extremes, and cry from the subtle humanity of memories lost."

– Kyle Abraham, Artistic Director

About the Company

A.I.M by Kyle Abraham has, for nearly two decades, been at the forefront of contemporary dance, becoming one of the most acclaimed touring companies in the world. Celebrating its 20th anniversary throughout 2026, the company exemplifies “lush movement, infectious music and magnetic dancers..." as noted by The New York Times. A.I.M has been featured in Vogue, Essence, among many other publications, and was on the April 2025 cover of the Harper's Bazaar. The company is described as a “postmodern gumbo” with an ardent voice and artistic process informed by robust conversations with people from diverse perspectives. A.I.M performs works by Abraham as well as new and existing works by choreographers who have influenced Abraham’s artistry. A.I.M is based in New York City.

For more information, to get involved, or to purchase your A.I.M merchandise, please visit http://aimbykyleabraham.org. Follow A.I.M on Instagram @aimbykyleabraham and Kyle Abraham on Instagram @kyle_abraham_original_recipe

Music

Music - Various Artists: “Dancing with Myself,” Billy Idol (4) 1981- Chrysalis Records Ltd (Reservoir). “I Drove All Night,” Cyndi Lauper (The Essential Cyndi Lauper)—2003 Sony Music Entertainment Inc. “Jump (For My Love),” Pointer Sisters- Sony Music Entertainment Inc. and Anidraks Music, Inc. “Let’s Work,” Prince (Controversy)—1981 NPG Records, Inc. under exclusive license to Legacy Recordings. “Rock Lobster,” The B-52’s (Time Capsule)—1998 Reprise Records. Marketed by Rhino Entertainment Company, a Warner Music Group Company. “The One I Love,” REM (Document)- 1987 - Universal Music Publishing Group. “Venus,” Bananarama (The Greatest Hits Collection [Collector Edition])—1988–2017 London Records LTD. “Walk Like an Egyptian,” The Bangles (Different Light)— Nanada Music BV.

Company Credits

Directors

Artistic Director: Kyle Abraham (he/him)
Executive Director:
Emily Waters (she/her)

A.I.M Board of Directors

Kyle Abraham
Suzanne Hall, Chair
Cheryl Bergenfeld
Adrienne Edwards
Karen Hogan
Mark A. Leavitt
Glenn Ligon
Jennifer Mandelson
Wendy McCain
Gary Mezzatesta
Bebe Neuwirth
Carrie Schneider
Stephen Simcock
Gilda Squire
Julia Strickland
Mickalene Thomas

Company and Tour Operations

Producing Director: Vernon Scott (he/him)
General Manager: Anne Dechêne (she/her)
Rehearsal Director: Jessica Tong (she/her)
Artistic Engagement Manager: Matthew Baker (he/him)
Production Stage Manager: Meredith Belis (she/her)
Lighting Supervisor: Dan Stearns (he/him)

Development

Director of Development: Lesedi Stofsky (she/her)
Development Associate: Danielle LeBron (she/her)

Press and Marketing

Marketing Manager: Alexander Diaz (he/they)
Press Agent: Chris Constable (he/him)

Finance

Financial Services: Lucy Mallett (she/her) and Julia Corrigan (she/her), Arts FMS

Support

A.I.M By Kyle Abraham Donors

With heartfelt thanks, A.I.M by Kyle Abraham recognizes the generosity of the donors listed below, as well as the many others whose support is deeply appreciated but not individually listed. List as of October 20, 2025.

A.I.M’s Angels ($50,000 and above)

Sarah Arison and Arison Arts Foundation
Bloomberg Philanthropies
Booth Ferris Foundation
Suzanne Hall and Valentino Carlotti
Ford Foundation
Howard Gilman Foundation
International Association of Blacks in Dance, COHI/MOVE Program
Glenn Ligon
Mellon Foundation
National Endowment for the Arts
New York City Department of Cultural Affairs
The Samuel H. Scripps Foundation
Denise Littlefield Sobel
Dance Reflections by Van Cleef & Arpels

$25,000 and above

Jody and John Arnhold
Cheryl Bergenfeld
Ed Bradley Family Foundation
Fan Fox and Leslie R. Samuels Foundation
Karen and Jeff Hogan
Taryn and Mark A. Leavitt
New York State Council on the Arts
The Shubert Foundation
Stephen Simcock

$10,000 and above

Maria-Cristina Anzola
Torrence Boone
Natalie Diaz
Adrienne Edwards
Matrice Ellis-Kirk
Anita Mann Kohl Charitable Foundation
Nancy and Michael Feller
Keith Funger
The Gaea Foundation
Gagosian Gallery
Agnes Gund, In Memoriam
Hauser & Wirth
Isabel Kallman
Jennifer Mandelson
Gary Mezzatesta
Bebe Neuwirth
E. Stanley O’Neal
Adam Pendleton
Stephen Reidy
Russell Salmon
Steve Pesner and Setpheap “Peace” San
Antwaun Sargent
Liz Frankel and Charlie Steinhorn
Mickalene Thomas
Sue Tsao
Julia Strickland and Timothy S. Wahl
Renae Williams Niles

$5,000 and above

Dancers Responding to AIDS
Meryl Rosofsky and Stuart Coleman
Megan Kline Crockett
Thelma Golden
Devin Graham
Harkness Foundation for Dance
Lisa and Emil Kang
Wendy McCain
Virginia A. Millhiser
Muriel Pollia Foundation
New Music USA Organizational Fund
Omomuki Foundation
Marlis Pacifico
Marc and Susanne Payot
Carrie Schneider
Lisa R. Beck and Mitchell A. Seider
Gilda Squire
Eileen and James Thomas
Reginald Van Lee
The Hyde and Watson Foundation
Carrie Mae Weems

A.I.M by Kyle Abraham is proud to support Dancers Responding to AIDS (DRA), which ensures vital care and comfort for those in need. Founded in 1991 by Paul Taylor Dance Company members Denise Roberts Hurlin and Hernando Cortez, DRA harnesses the compassion and commitment of the performing arts community to provide a safety net of essential social services. Learn more or donate at www.dradance.org/donate.

Support the future of A.I.M! Contributions may be made payable to Abraham.In.Motion, Inc. and sent to 10 Lafayette Ave, Suite 4, Brooklyn, NY 11217. Abraham.In.Motion, Inc. is a 501(c)(3) charitable organization (EIN: 82-4790161). All donations are tax-deductible to the fullest extent allowed by law.

Biography: Artistic Director / Choreographer

  • KYLE ABRAHAM (Founder and Artistic Director, A.I.M by Kyle Abraham; he/him) has premiered his work to international audiences and acclaim since 2005. Abraham has been profiled in Document Journal, Vanity Fair, Ebony, Harper’s Bazaar, Kinfolk, O Magazine, Paper, Surface, Vogue & Vogue UK, and W Magazine, among many other publications. He was recently nominated for an Olivier Award for Best New Dance Production (2025 – An Untitled Love at Sadler’s Wells); the Rose Prize for International Dance (2025 – An Untitled Love); and is the proud recipient of two National Dance Critics Awards for Choreography (2024 – Are You in Your Feelings / Alvin Ailey Dance Theater and 2025 Love Letter (on shuffle) / New York City Ballet); Dance Magazine Award (2022); Princess Grace Statue Award (2018); Doris Duke Award (2016), and the MacArthur Fellowship (2013). In addition to performing and developing new works for his company, Abraham has been commissioned by a wide variety of dance companies, including American Ballet Theatre, Alvin Ailey American Dance Theater, The National Ballet of Cuba, New York City Ballet, Paul Taylor American Modern Dance, and The Royal Ballet. In 2024, Abraham premiered three new works to much acclaim: the evening-length work, Cassette Vol. 1 in Hamburg, Germany; Mercurial Son for American Ballet Theatre in October and in December, Dear Lord, Make Me Beautiful at the Park Avenue Armory, which Jennifer Homans of The New Yorker called an “Extraordinary Dance Memoir.” Abraham has led and curated several performance series, including the Danspace Project (2024 / 50th anniversary season) and Lincoln Center’s Summer for the City (2023, 2022), among others. In 2020, Abraham was the first-ever guest editor for Dance Magazine. He serves as the Claude and Alfred Mann Endowed Professor in Dance at the University of Southern California Glorya Kaufman School of Dance (2021–). Abraham sits on the advisory board for Dance Magazine and Hubbard Street Dance Chicago. He is a member of the American Academy of Arts and Sciences, The Inaugural Black Genius Brain Trust, and the inaugural cohort of the Dorchester Industries Experimental Design Lab, a partnership between the Prada Group, Theaster Gates Studio, Dorchester Industries, and Rebuild Foundation.

    Kyle Abraham. Photo: Alexander Diaz

Biographies: Dancers

  • JAMAAL BOWMAN (he/him) began his dance training at the age of 14 in Maryland, where he was born and raised. In 2021, he graduated from the University of the Arts in Philadelphia, Pennsylvania, as a Director’s Scholar, under the direction of Donna Faye Burchfield. Over the years he has collaborated with Nora Chipaumire, Tommie Waheed-Evans, Maleek Washington, Helen Pickett, Fana Fraser, Jocelyn Cottencin, Nacera Belaza, and Sidra Bell. In November 2021, Bowman toured with Von Howard Project to Ecuador to perform in the International Living Arts Festival of Loja. Most recently, he has performed as a company member with Kun-Yang Lin/Dancers for their 2021-2022 season. His personal practices are centered around queer Black joy, theater, improvisation, and comedy. He hopes to reshape the future for queer Black people like him, to give them more opportunities to shine. Bowman joined A.I.M by Kyle Abraham in 2022.


    Jamaal Bowman. Photo: Carrie Schneider
  • MYKIAH GOREE (he/him), a native of Houston, Texas, received his early dance training from Houston Ballet Academy and Kinder HSPVA under the direction of Melissa Bowman and Janie Carothers, respectively. He attended summer programs with Ballet Austin, BodyTraffic, and Peridance. While at Juilliard, he performed works by Tiler Peck, Rena Butler, Jamar Roberts, Ohad Nahrin, Trisha Brown, Camille A. Brown, and Omar Román De Jesús. Mykiah’s choreographic work was selected for Juilliard’s Choreographers and Composers 2022, MOVE|NYC’s summer intensive, Juilliard’s Senior Production 2024 and Juilliard’s Choreographic Honors. He is a certified Pilates instructor and has served on the Juilliard Black Student Union board. Mykiah is very grateful to all who have built him into the human being and artist that he is today. Mykiah joined A.I.M by Kyle Abraham in January 2024.


    Mykiah Goree. Photo: Carrie Schneider
  • ALYSIA JOHNSON (she/her), a native of Dallas, Texas, Alysia began her training at Dallas Black Dance Theatre and Booker T. Washington HSPVA under Lily Weiss. She expanded her skills through summer programs at renowned institutions like Joffrey Ballet, Alvin Ailey, LINES Ballet, and Jacob’s Pillow. Alysia launched her professional career with Bruce Wood Dance Company before attending The Juilliard School, earning her BFA. She has since taught and choreographed for institutions including Princeton University, Hubbard Street Dance Chicago, and Jacob’s Pillow. In 2021, Alysia received the Princess Grace Honoraria Award for Dance through Hubbard Street, where she was a company member. Known for her versatility, Alysia has been featured in campaigns with Tory Burch and Adidas. She recently joined Boom Crack Dance Company and continues producing genre-bending, community-centered events. Alysia credits her success to the support of her community and her mother, Galen Johnson. Alysia joined A.I.M in 2025


    Alysia Johnson. Photo: Carrie Schneider
  • FAITH JOY MONDESIRE (she/her) Brooklyn-born dancer Faith Joy Mondesire joined A.I.M by Kyle Abraham in 2023. Her roots in dance started as a liturgical dancer at her local church. Later she worked with choreographers such as Joseph Hernandez, Sidra Bell, Kristen Foote, Melanie Gambino, Doug Varone, and Abdel R. Salaam and Dyane Harvey (Forces of Nature Dance Theater), among others. She has performed at Dance Africa BAM, NJPAC, The Apollo, and elsewhere. Dance Magazine published her feature, “I’ll Never Forget My First Pair of Flesh Tone Tights” in 2020. Training: Edge School of The Arts, Brooklyn Dance Project, Restoration Youth Arts Academy, LaGuardia High School, SUNY Purchase, Alonzo King Lines Ballet Summer Intensive. Mondesire joined A.I.M in 2023.


    Faith Joy Mondesire. Photo: Carrie Schneider
  • DESTIN MORISSET (he/him) Born and raised in Queens, New York. Destin is a graduate of LaGuardia Arts High School and SUNY Purchase Conservatory of Dance. He has trained at MOVE|NYC and French Academie of Ballet. Destin is a recipient of the 2021 Gregg Burge Award and 2025 Outstanding Senior in Dance at SUNY Purchase. He has performed works by choreographers such as Alvin Ailey, Norbert De La Cruz III, Chanel DaSilva, Greg Lau, Roderick George, Jie-hung Connie Shiau, LajaMartin, Doug Varone, Kevin Wynn, and Yue Yin. Destin was formerly a company artist with The Dash Ensemble led by Gregory Dolbashian. Morisset joined A.I.M by Kyle Abraham in 2025.


    Destin Morisset. Photo: Alexander Diaz
  • WILLIAM OKAJIMA (he/him) Originally from Irvine, California, William Okajima’s love for music and dance originated from a young age, growing up in a household full of artists. Will’s extensive training began at Orange County School of the Arts, and supplemented his dance training at both Westside Dance Project and Dmitri Kulev Classical Ballet Academy. At just age 13, Will obtained his first professional dance role in Sia’s The Greatest music video, and fell in love with the commercial world. Since, he continues to be a part of Los Angeles' vibrant commercial dance scene, featuring in nationwide advertisements (Honda, Apple, Pull & Bear), as well as international campaigns. Most recently, Will traveled to Dubai to feature in the country’s latest tourism film. A recent graduate from the USC Glorya Kaufman School of Dance, Will received a BFA in Dance under the guidance of individuals including Kyle Abraham, Bret Easterling, Jermaine Spivey, Jodie Gates and William Forsythe. At Kaufman, Will has performed featured roles in works by Jiří Kylían, Micaela Taylor, Tyce Diorio, Desmond Richardson, Dwight Rhoden and Hope Boykin. Will also received a minor in entrepreneurship through the USC Marshall School of Business. In doing so, Will hopes that his studies of the intersections between dance performance and personal branding will allow him to tackle the demands of the commercial and concert dance world with a uniquely informed academic perspective. Okajima joined A.I.M by Kyle Abraham in 2024.


    Wiliam Okajima. Photo: Carrie Schneider
  • NIYA SMITH (she/her), is an Atlanta, Georgia native. She began her training at Dancemakers of Atlanta under direction of Denise Heard Latimer and Lynise Heard. She has attended summer programs with BODYTRAFFIC, Alonzo King Lines Ballet, Complexions Contemporary Ballet and A.I.M by Kyle Abraham. She received her BFA in Dance from The Conservatory of Dance at Purchase College. During her time at Purchase, she performed works by George Balanchine, Yue Yin, Alvin Ailey, and Kevin Wynn. Niya gives thanks and gratitude to those who have helped shape her into the person and artist she is today. Smith joined A.I.M by Kyle Abraham in 2025.


    Niya Smith. Photo: Alexander Diaz
  • KETURAH STEPHEN (she/her), a Brooklyn native, began her dance journey at Restoration Youth Arts Academy, where she trained in modern, African and hip hop. She attended Brooklyn High School of the Arts, as well as The Ailey School. She is a graduate of the Conservatory of Dance at SUNY Purchase College. Stephen attended the MOVE|NYC Young Professionals Program, led by Co-Directors and Co-Founders Chanel DaSilva and Nigel Campbell. Throughout the course of her training, she has worked with and performed works by Earl Mosley, Loni Landon, Roderick George, Trisha Brown, and Antonio Brown. Stephen appeared in the movie “In the Heights”, under the direction of Ebony Williams in 2019. Stephen joined A.I.M by Kyle Abraham in 2022.


    Keturah Stephen. Photo: Carrie Schneider
  • GIANNA THEODORE (she/her) Raised in West Palm Beach, Florida, Gianna began her dance training at Ballet East Studio under the direction of Susan Lyle and Chelsea Nasby. Gianna is a graduate of A.W. Dreyfoos School of the Arts, and a three-time YoungArts Merit Scholar/Honorable Mention. She graduated with a BFA in dance from the Ailey/Fordham BFA program Class of 2020. Throughout the course of her training, she has performed works by Robert Battle, Chuck Wilt, and Bradley Shelver. She attended Springboard Danse Montreal, where she performed work created by RUBBERBANDANCE, and Parts & Labour Danse. Gianna has ventured through many cultures and styles of dance, such as house and African, which has helped land her lead roles in music videos. She has also performed professionally with artists such as Ebony Williams, Mark Caserta, Maleek Washington, and Jennifer Archibald. She recently performed during a residency with Helen Simoneau Danse. Gianna joined A.I.M by Kyle Abraham in 2019.


    Gianna Theodore. Photo: Carrie Schneider
  • OLIVIA WANG (she/her), originally from Queens, New York, is a first generation Chinese American artist. She has recently graduated with a BFA in Dance from the Conservatory of Dance at SUNY Purchase College. She has trained at The Ailey School, French Academie of Ballet, and was a part of the inaugural class of MOVE|NYC. Olivia has had the opportunity to perform works by Keerati Jinakunwiphat, Norbert De La Cruz III, Martha Graham, Michiyaya, Nigel Campbell, Kyle Abraham, and Roderick George. Wang has attended summer programs at A.I.M, Martha Graham, MOVE|NYC, and Hubbard Street. She is an Actors Equity and SAG-AFTRA member. Wang joined A.I.M by Kyle Abraham in 2024.


    Olivia Wang. Photo: Carrie Schneider
  • JAYDEN CHRISTIAN WILLIAMS (he/him) is a dance artist from Brooklyn, NY. Jayden is also a graduate of LaGuardia Arts High School and a recent graduate of Point Park University, where he earned his BFA in Dance with a concentration in Modern. In 2018 he joined MOVE|NYC‘s Young Professionals Program under the direction of Nigel Campbell and Chanel DaSilva. Williams has trained at the French Academie of Ballet and has received scholarships to train with Ballet Hispanico, Complexions Contemporary Ballet and Movement Invention Project. In 2023 Jayden performed in the restaged work “Flight” by Jae Man Joo at The Joyce Theatre. Williams has performed works by Mike Tyus, Jae Man Joo, Houston Thomas, Manuel Vignoulle, Martha Nichols, Penny Saunders, Paul Taylor, Juel D. Lane, Annabelle Lopez Ochoa, Roderick George, Rennie Harris and Karla Puno Garcia. Williams joined A.I.M by Kyle Abraham in 2025.


    Jayden Christian Williams. Photo: Alexander Diaz


Biographies: Creative Team

  • SAM CRAWFORD (Sound Editor) Sam Crawford’s compositions and sound designs have included works for the Bill T. Jones/Arnie Zane Company (Venice Biennale, 2010), A.I.M by Kyle Abraham (Untitled Love, 2022), Camille A. Brown and Dancers (BLACK GIRL: Linguistic Play, 2016), and David Dorfman Dance (A(Way) Out of My Body, 2022). Recent film works include 32 Sounds, directed by Sam Green, for which Crawford acted as the headphone experience designer; the film was Oscar shortlisted for Best Documentary Feature in 2024. La Medea, a live film collaboration with director Yara Travieso for which Crawford composed the music and wrote the libretto, premiered at P.S.122’s Coil Festival in 2017. Since 2020, Crawford has taught sound design at the University of Maryland's School of Theatre, Dance, and Performance Studies. He became Co-Director of UMD’s Maya Brin Institute for New Performance in 2023.

  • SIMON HARDING (Video Editor) is an award-winning set and video designer for live performance, interested in modalities of performance that create a living space between objects and the body.He was a co-founder and the resident designer for SaBooge Theatre, designing all of their productions including the critically acclaimed shows Hatched, Fathom, and Every Day Above Ground.

  • DAN SCULLY (Lighting Designer) is a New York-based lighting and projection designer. He has been the resident lighting designer for A.I.M by Kyle Abraham since its founding, including designs for the full-length evening works Pavement, Live! The Realest M.C., and the Bessie Award-winning The Radio Show. Recent dance work includes designs for the New York City Ballet, Alvin Ailey American Dance Theater, BODYTRAFFIC, Hubbard Street Dance Chicago, and Misty Copeland, among others. Theater and concert credits include Rocky (Broadway), Jedermann (Salzburger Festspeile), The Orchestra Rocks! (Carnegie Hall), and Peter and The Wolf (John Lithgow / Carnegie Hall). Regional: Trinity Repertory Company, Geva Theatre Center, Asolo Repertory Theatre, Cleveland Playhouse, Hudson Valley Shakespeare Festival, and the Two River Theater Company. MFA NYU Tisch School of the Arts.

  • RISA STEINBERG (Artistic Advisor) is active in many facets of the dance community as a performer, teacher, re-constructor of the works of José Limón, rehearsal coach, and choreographer mentor. A native New Yorker, Ms. Steinberg attended the High School of Performing Arts. She received her Bachelor of Fine Arts from The Juilliard School, where she has served as full-time faculty since 2004 and held the position of Associate Director of Juilliard Dance from 2008-2016. Ms. Steinberg has been a guest teacher worldwide and in many summer intensives. In 2022, she received the DanceTeacher Magazine Award of Distinction. As a performer, Ms. Steinberg was a principal dancer with the José Limón Dance Company and guested with companies worldwide. She was a cast member of Punchdrunk’s, Sleep No More from 2015-2020. As a choreographic advisor, she has mentored many emerging and established choreographers. Ms. Steinberg is the co-director of the Ann and Weston Hicks Choreography Project at Jacob’s Pillow.

  • KAREN YOUNG (Costume Design) is a New York-based costume designer who has designed clothes for many of Kyle Abraham and A.I.M’s works including Drive, The Gettin’, INDY, Meditation, Big Rings, and An Untitled Love. Recent design for dance includes projects with the Martha Graham Dance Company, Paul Taylor Dance Company, Alvin Ailey American Dance Theater, Ballet Basel, Brian Brooks, Lucinda Childs, Pontus Lidberg, Troy Schumacher, Sonya Tayeh, Sidi Larbi Cherkaoui, Acosta Danza, Malpaso Dance Company, Miami City Ballet, and Hubbard Street Dance Chicago. She designed the costumes for Wendy Whelan's projects Restless Creature and The Day and is currently directing the reconstruction and design of the costumes of Martha Graham’s entire repertoire for the Martha Graham Dance Company. Young has also designed for theater including Geoff Sobelle’s Home (Brooklyn Academy of Music) and Third Rail Projects highly acclaimed immersive shows “Confection” (Folger Theater) and “Then She Fell”. karenyoungcostume.com

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